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Born in Buenos Aires, where he began his vocal studies, Lisandro Abadie pursued them in Switzerland at the Schola Cantorum Basiliensis and at the Musikhochschule in Lucerne. He was awarded the Edwin Fischer Prize in 2006. He has sung under the direction of William Christie, Laurence Cummings, Francesco Corti, Elam Rotem, Reinoud Van Mechelen, Václav Luks, Julio Caballero, Tōnu Kaljuste, Rubén Dubrovsky, Andreas Reize, Matthew Halls, Jordi Savall, Paul Agnew, Skip Sempé, Vincent Dumestre and Geoffroy Jourdain, among others. He has performed with Les Arts Florissants, Collegium 1704, Orchestra of the Age of Enlightenment, a nocte temporis. He collaborates with lutenist Mónica Pustilnik and with pianist Paul Suits. Recent stage productions include Charpentier’s Médée at the Opéra de Paris and the Teatro Real in Madrid, Rameau’s Les Fêtes d’Hébé at the Opéra Comique in Paris, Monteverdi’s L’Orfeo in Vevey. His numerous recordings include Handel’s Siroe, Céphale et Procris by Jacquet de la Guerre, Lully’s Phaëton and Cadmus et Hermione , Handel’s Music for Queen Caroline, L’ombra di Solimano (bass cantatas by Pasquini), Monteverdi’s L’incoronazione di Poppea, Vespro and Madrigals. He is preparing a book on his current research topic: ‘vibrato’ as documented by historical sources and organ stops in Europe and overseas since the sixteenth century. Since 2019 he teaches at the Schola Cantorum Basiliensis, and since 2024 he is Professor of Baroque Singing at the Mozarteum University in Salzburg.
Lisandro
Abadie
Abadie
Baroque Singing